Matheus, a young junkie who runs around the city knocking on doors to retrieve pieces of his body. Each of the organs can be seen as a metaphor for affective and existential themes in the life of the character and the audience. The staging uses Matheus's rush to recover his pieces as a springboard to problematize the construction of the male gender on the scene, evident in the main objective of the character, which is to win back, with his father, his eyes in order to be able to cry. Multimedia project, where text, soundtrack and staging merge to build a unique theatrical experience, in which sound amplifies the performative game of actors among themselves and with the audience.